{"id":267,"date":"2017-03-19T19:24:49","date_gmt":"2017-03-19T16:24:49","guid":{"rendered":"https:\/\/ileanapascalau.com\/?page_id=267"},"modified":"2024-02-14T14:07:05","modified_gmt":"2024-02-14T11:07:05","slug":"upcoming","status":"publish","type":"page","link":"https:\/\/ileanapascalau.com\/?page_id=267","title":{"rendered":"UPCOMING"},"content":{"rendered":"

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Verschmutzung. K\u00f6rperzust\u00e4nde. Faschismus.<\/h1>\n

11.10. bis 01.11.2020, DO-SO, 12 bis 20 Uhr<\/h3>\n

Christoph Schlingensief und die Kunst<\/p>\n

Mit Arbeiten von: Joseph Beuys, G\u00fcnter Brus, VALIE EXPORT, Frankfurter Hauptschule,\u00a0 Alexander Kluge, Jonathan Meese, Hermann Nitsch, Ileana Pascalau, Dieter Roth, 1UP-Crew.<\/p>\n

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Anl\u00e4sslich des Festivals zu Ehren von Christoph Schlingensief besch\u00e4ftigt sich die Ausstellung mit Verschmutzung, K\u00f6rperzust\u00e4nden und Faschismus in der Bildenden Kunst. Die Ausstellung macht Synergien zwischen verschiedenen K\u00fcnstler*innen sichtbar, die Schlingensief beeinflusst haben, bzw. von ihm beeinflusst wurden. Dabei wird vor allem auf Kunststr\u00f6mungen Bezug genommen, die sich seit Ende des Zweiten Weltkriegs gegen die Sauberkeit in der Kunst wendeten und ihre k\u00fcnstlerischen Materialien um ansonsten im \u00f6ffentlichen Leben verdr\u00e4ngte und abgesonderte Materialien erweiterten: Kot, Blut, Erbrochenes, Sperma, M\u00fcll und Dreck.<\/p>\n

Kuratiert von Daniela Duca, Julian Volz und Marlena von Wedel<\/p>\n

Die Ausstellung wird mit Unterst\u00fctzung von kitev realisiert.<\/p>\n

Im Supermarkt der Ideen, Eingang\u00a0St\u00f6ckmannstr.\u00a078<\/p>\n

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Galerie im Turm<\/p>\n

Curated by Linn\u00e9a Meiners and Jorinde Splettst\u00f6\u00dfer<\/p>\n

Opening 22.01.2020 | 7pm<\/p>\n

23.01. – 08.03.2020<\/p>\n

Welcome to BURLUNGIS! Hang your cloak and stay a while, weary traveller. The times may be dark and the swamps and bogs hide lurking creatures of the night, but accept our humble comforts in whimsical tales and ecstatic dances around the fire.<\/p>\n

BURLUNGIS is a fantastical medieval landscape conjured by COVEN BERLIN to re-imagine a time as dark as ours. But hark! Whoever condemns darkness has forgotten its power. Much of liberal European thought today continues the tradition of the Enlightenment, scoffing at the perceived lack of refinement and unhygienic stink of the Middle Ages. Meanwhile, conservative right-wing movements have co-opted \u2018the medieval\u2019, summoning kings and vikings to create an imaginary time when Europe was white, heterosexual, and Christian.<\/p>\n

Aye, let the patriarchs have their snobby printing press and \u2018perspective\u2019; let the fascists burn in their fire and brimstone. Leave the Mittelalter to the altered middle\u2014to the queers, the Commons, the Live Action Role Players, modern herbalists and all those who\u2019d gladly tread through the muck and mire of this swampy amalgam of history. We hereby decree the myth of \u2018Medieval Europe\u2019 as utterly false, and rewrite it with BURLUNGIS, which bubbles out of the swamp from whence the city we call Berlin, in the 13th century, clumb.<\/p>\n

BURLUNGIS begins as a stage open for co-creation between us the artists and you, dear wanderer. Therefore, we heartily invite you to show up at the Galerie im Turm regularly, for we will be a-working, oft and ere.<\/p>\n

EVENTS<\/p>\n

22.01. | 7pm | Opening<\/p>\n

08.02. | 11am \u2013 1pm
EXCAVATING THE EROTIC
Workshop with Dr. edna bonhomme<\/p>\n

15.02. | 4pm \u2013 6pm
Recipes from the Archives of Queer Aphrodisia
Workshop with Luiza Prado<\/p>\n

22.02. | 5pm \u2013 6.30pm
BY FIRE, BY WATER, BY COMBAT: Deviant Women & Medieval Punishment
Workshop with Ileana Pascalau<\/p>\n

07.02. | 14.02. | 21.02. | 28.02. | 2pm \u2013 6pm
Alchemical Creatures and Archaic Garms
Performative Costume-Making with Hang Lington+Laura Lulika<\/p>\n

07.03. | 7pm
The Final Joust with COVEN BERLIN<\/p>\n

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I LOOKED MY BEST TONIGHT<\/p>\n

Andreea Cioran & Ileana Pascalau<\/p>\n

curated by Daniela Duca<\/p>\n

RKI GALLERY, Berlin<\/p>\n

8.11.-20.12.2019<\/p>\n

The exhibition, entitled \u201cI Looked My Best Tonight\u201d brings together two different artistic practices with a joint focus: the critical interest in examining different ways of transforming, adjusting, beautifying the female body according to ever-changing ideas or standards of beauty.
Pascalau employs a vocabulary coined from different visual traditions: baroque medical wax models, such as the \u201cAnatomical Venus\u201d, the religious practice of the jewel-encrusted relics,
but also examples of fashion iconography and fetishism. She moves between past and present to establish connections between historical motifs and contemporary memes defining the visual culture of today.
Cioran, on the other hand, focuses mainly on recent practices which emerged as a result of the rise of digital and social media, exploring phenomena such as the selfie, online avatars and body trends across a number of platforms.
The works in the exhibition encompass a wide variety of media, ranging from photography, sculpture, drawing, Installation and VR. Representations of fragmentary female bodies either serve as construction elements for an exemplary female body architecture, or stand as emaciated remnants of vulnerable, transitory bodies.<\/p>\n

\u201cI looked my best tonight\u201d deals also with the influence of social media on identity formation, the relationship between mask and the self, and between pleasure and pathology in connection with certain forms of beauty fetishism and contemporary fashion.<\/p>\n

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LAY ME DOWN ACROSS THE LINES
curator Valentina Iancu<\/p>\n

13 09 – 13 12 2019<\/p>\n

Mihaela C\u00eempeanu Roberta Curc\u0103 Katja Lee Eliad
Yishay Garbasz Sasha Ichim Adelina Ivan
Alexandra Ivanciu Anastasia Jurescu Hortensia Mi Kafchin
Elana Katz Virginia Lupu Ileana Pascalau
Aris Tureac Smaranda Ursuleanu Oana Paula Vainer<\/p>\n

The research project lay me down across the lines brings together a series of feminist narratives that propose an orientation towards the intersectional thinking, careful to all of the conditions that determine the feminin reality. The exhibition explores the fragility of difference through personal story, emphasizes fragmentation to highlight the diversity of feminisms existing on the artistic scene. lay me down across the lines is a curatorial exercise that aims at suspending gravity in our cultural system of norms. The resulting mindset opens up the possibility for the female gaze to turn inward and formulate its own narratives.<\/p>\n

Kunsthalle Bega
Circumvala\u021biunii 10 Timi\u0219oara
kunsthallebega.ro<\/p>\n

Kunsthalle Bega este un proiect al Funda\u021biei Calina ini\u021biat de Alina Cristescu, Liviana Dan \u0219i Bogdan Ra\u021ba.<\/p>\n

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IN-VISIBLE REALNESS: Berlin now 50 years after Stonewall<\/strong><\/p>\n

OPENING JUNE 20TH 2019 6PM-12PM at PS120 Berlin<\/p>\n

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Curated by Ben Livne Weitzman and Justin D Polera<\/p>\n

Participating Artists:<\/p>\n

Alex Heide, Ariel Reichman, Carlos Motta, Christo Daskaltsis, Danh V\u014d, Doireann O\u2019Malley, Ileana Pascalau, Jean Ulrick D\u00e9sert, Jessica Rankin, J\u00f6rg Schulze-Roloff, Julian-Jakob Kneer, Matthias Hamann, Ming Wong, Nan Goldin, Nathan Storey Freeman, Nicholas Grafia, Noah Rieser, Nooshin Askari, Phillip Timischl, Renate Hampke, Samantha Bohatsch, Shaun Motsi, Stef Engel, Stef Morgner, Thomas Masc, Tommy Camerno, Yein Lee, Zoe Leonard.<\/strong><\/p>\n

On July 1919, the Institut f\u00fcr Sexualwissenschaft in Berlin opened its doors to the public. Founded by Magnus Hirschfeld, the institute was first of its kind in the world, offering mental and physical aid to those who felt different from the others. Research, education, and political activities took place there alongside the clinic, where also some of the world\u2019s first gender-affirming surgeries were performed. Through 14 years of activity, the institute became a centre, a place of work and even home for many LGBTQ peoples from Berlin and beyond.<\/p>\n

On 1933, with the rise of the Nazi regime, the institute was lotted and forced to close its doors, but the social, medical and political shockwaves it generated ripple through history, igniting some 50 years later a gathering crowd at the Stonewall Inn to raise against police brutality which, at that moment, symbolised all the injustice and discriminations they have suffered form their entire lives.<\/p>\n

\u201cIn-visible Realness\u201d seeks to wander along some of the forking paths intersecting these shockwaves. The hyphen in the title marks the tension between the visible, the non-visible, and the becoming-visible.<\/p>\n

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LUCKY<\/h1>\n

Opening:\u00a0 Friday, 06 July 2018, 19h<\/span><\/p>\n

NGBK \/ NEUE GESELLSCHAFT F\u00dcR BILDENDE KUNST, BERLIN<\/h3>\n

Adress:<\/strong>\u00a0nGbK, Oranienstra\u00dfe 25, 10999 Berlin<\/span><\/p>\n

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Saturday, 07 July 2018\u00a0\u2014 Sunday, 02 September 2018<\/span><\/p>\n

The approach of the project is to react to luck as a cultural myth that normalizes privilege. Masked as luck, white supremacy and patriarchy weave narratives that dull movements of resistance and perpetuate the status quo. While hard work leads to success, success, once realized, is disguised as lucky coincidence. Such aphorisms erase herstory in physical, digital, and spiritual spaces. Through exhibition, performance, and an event series, LUCKY invites queer cultural agents to unveil power structures shrouded in myth and illusion.<\/p>\n

Visual Artists:
GeoVanna Gonzalez, Giegold & Weiss, Laura Jones, Angela Kaisers, Ileana Pascalau, Plural Authorship Collective (P_A_C), Tabita Rezaire, Ana\u00efs Senli, Eve Tagny, Anna Uddenberg, Kandis Williams, Miriam Yammad, Inga Zimprich (Feministische Gesundheitsrecherchegruppe) a.o.<\/strong>
Performance Artists:
Travis Alabanza, Zinzi Buchanan & Trev Flash, Ok-Hee Jeong, Laura Jones, Roni Katz, Anarella Martinez, Zwoisy Mears-Clarke, Nasheeka Nedsreal, Vagittarius Rising, Xenia Taniko, Cathy Walsh, Melanie Jame Wolf a.o.<\/strong><\/p>\n

nGbK project group “COVEN”:
Frances Breden, Shelly Etkin, Lorena Juan, Judy Landkammer, Louise Trueheart, Kiona Hagen Niehaus, Esther Roman, Harley Aussoleil<\/strong><\/p>\n<\/div>\n

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AN ENCYCLOPEDIA OF THE DELICATE<\/p>\n

Participating artists: G\u00f6k\u00e7en Dilek Acay, Sophie Aigner, Ana Alenso, Katharina Kim Alsen, Christine Bachmann, Thomas Behling, Mario BieRende, Martin Bothe, Marion Denis, Dagmar Fella, Harriet Gro\u00df, Lena Hensel, Janine H\u00f6nig, Eleana Katanu, Jens Kloppmann, Edith Kollath, Bruno Di Lecce, Chelsea Leventhal, Carina Linge, Helene Meier, Ines Meier, Maximilian Meier, Anna Myga Kasten, Enrico Niemann, Aneh Ondare, France Parsus, Ileana Pascalau, Ulrike Paul, Aaron Rahe, Korvin Reich, Yvonne Roeb, Fons Schiedon, Felix Schneewei\u00df, Charlotte Seidel, Hartmut Stockter, Laurel Terlesky, Sandy Volz, Miriam Yammad, Jenny Yurshansky, Simone Zewnik<\/p>\n

The exhibition \u2018Eine Enzyklop\u00e4die des Zarten\u2019 (An Encyclopaedia of the Delicate) is based on Anne Brannys\u2019s dissertation of the same name. In it the artist sheds light on the concept of \u2018delicate\u2019 or \u2018tender\u2019 from different perspectives, interweaving questions from the humanities, the natural sciences, and art. With eight thematic focuses the exhibition delves into the topic as an immersive encyclopaedia, through a spatial concept developed specially for this presentation. The rhythmic ordering of knowledge throughout the exhibition space is also flexible, enabling cross-links between the objects through a multisensory orientation system.
The artworks \u2013 a selection from an extensive archive of positions collected through a call for submissions \u2013 represent a diverse spectrum of approaches to the topic and explore the concept\u2019s complexity in a sensually perceptible way. The physical experience of an exhibition thus becomes a logical extension to the collection of knowledge in book form.<\/p>\n

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